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PDF Ebook Alan Moore's Writing For Comics Volume 1, by Alan Moore

PDF Ebook Alan Moore's Writing For Comics Volume 1, by Alan Moore

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Alan Moore's Writing For Comics Volume 1, by Alan Moore

Alan Moore's Writing For Comics Volume 1, by Alan Moore


Alan Moore's Writing For Comics Volume 1, by Alan Moore


PDF Ebook Alan Moore's Writing For Comics Volume 1, by Alan Moore

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Alan Moore's Writing For Comics Volume 1, by Alan Moore

About the Author

Alan Moore is widely considered to be the greatest comic book writer of all time. With over thirty years dedicated to the medium, his body of work includes Watchmen (the best-selling graphic novel in history), From Hell, The League of Extraordinary Gentlemen, Swamp Thing, Tom Strong, Promethea, V for Vendetta, and Lost Girls, just to name a few.He is the nine-time winner of the Eisner Award for Best Writer, and recipient of a Hugo Award. Avatar Press has published numerous Moore projects in recent years, including his seminal guide to graphic storytelling, WRITING FOR COMICS. His other Avatar projects include HYPOTHETICAL LIZARD, YUGGOTH CULTURES, and the highly anticipated Fall 2011 release, NEONOMICON.

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Product details

Paperback: 48 pages

Publisher: Avatar Press; 32583rd edition (July 6, 2003)

Language: English

ISBN-10: 9781592910120

ISBN-13: 978-1592910120

ASIN: 1592910122

Product Dimensions:

6.5 x 0.2 x 9.9 inches

Shipping Weight: 3.2 ounces (View shipping rates and policies)

Average Customer Review:

3.9 out of 5 stars

72 customer reviews

Amazon Best Sellers Rank:

#65,357 in Books (See Top 100 in Books)

This is one of three books that I think are essential to want to be Comic artists and writers. This is book one: It tells you how stories are and should be put together, how to pace for effect and (whether you are to be the writer or the writer/artist combination) this is the best and shortest. It is older and has an update at the end. If you still have the desire then Move on to the next book..... Book two tells you from the writer's stand point what you need to do to get artists (penciler, pen artist, lettering and color) And if you are an artist it tells you all the different art skills needed) This book is called WRITE OR WRONG by Dirk Manning. (a second volume is in the works) The third book is DIRECTING THE STORY: PROFESSIONAL STORYTELLING AND STORY BOARDING by Francis Glebas. Again this it good for either writer or artist or any combination. It brings to fruition all the first two books teach you. For actual drawing skills there are many books for style, type of comic, manga, or graphic novel (just a very long comic).

This edition reprints an excellent essay from Moore, written during the height of his run at DC Comics. As glimpse back to a somewhat simpler time in the career of Moore it's an invaluable item as we get see into the process that he was using at that time. Given the almost 20 years of elapsed time since the writing of the piece, the "advice" or discussion of Moore's process is a little dated (make that a lot dated) and the author's own postscript to the edition disavows much of the "advice" he gives in the previous section. (His later renunciation of a defense over a piece of awful purple prose from an early Swamp Thing story will give you a smile, especially if you were around in the 80's) That aside, if you take it as an in-depth study behind the process that created some of the best comic scripts of the era, you'll enjoy it immensely. This is NOT a how-to book for those seeking that type of guidance. Taken for what it is, it's a fascinating read.

A lot of bang for your buck here, even if it's short. The comic book format is ingenious, and I suggest others who want to publish blogs in a legit print format do the same. Alan's wisdom and experience in the industry comes through in 50 pages better than most in 200 pages or more. While I'm all for long, in-depth books about any subject, sometimes having a true genius and guru on a subject offer short but sweet words is vastly more effective. What I've gotten from his little book here is something that I can apply beyond comic writing. Blogging, novel writing and screen plays. Hell, I can even write more entertaining Facebook posts and emails from what I've learned from this little book.

this book was a great read. the only reason i am not giving it five stars is because it doesn't offer all that it could with alan moore's current experience and thought processes. it was written relatively early in his career and he himself added a chapter at the end discussing how many of his views have changed and evolved. oddly enough the depth he explores shows one how much more there is to explore. it is rather thin, and i would love to see something 2-3 times the length delving into other details. that said, i have read stephen king's book 'on writing' and other books on storytelling in different forms and so far this may be my favorite. i wish there was more and i guess his body of work and those it has influenced as well as the screenplays based on his work may be where one can look for more. his discussion of how he develops stories and characters is quite rich in depth. he makes it more tangible and accessible and describes his process well. if i could give it four and a half stars that it probably what i would offer. i underlined much of the book and have mentioned it to friends as a suggested read. i anticipate that i will look back on it from time to time and am very happy with the purchase. highly recommended for writers who want to tell stories whatever the form - novels, graphic novels and screenwriters at the very least.

Worth it. I am a striving comic creator who works and won't have time to read as much as I did this last summer. If you're a striving comic creator this is great book about the medium not because it teaches you how to write, but because it invokes you to create. The things I already knew that Moore talks about helps reinforce good points of story telling while interjecting Moore's insights to writing.Warning: You might have to look up some Moore References. As usual, Moore's has a few obscure references you might not have heard or read about. I know who "Eddie Campbell" is to comics but since the essay is older "Campbell" is treated as an unknown source in Moore's Essay. Still I feel since I'm rereading the "Watchmen" this is a "must have" because it gives a behind the scenes look to Alan Moore's thinking process as he wrote the "Watchmen". A pleasant fear I have is that if the movie is a success this book will be sold out. I've order another copy of this book because I'm destroying mine between the mass transit to my work and home.Key Words: Alan Moore, Eddie Campbell Comics, Watch Men, Watchmen

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Alan Moore's Writing For Comics Volume 1, by Alan Moore PDF
Alan Moore's Writing For Comics Volume 1, by Alan Moore PDF

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