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Edgar Degas: A Strange New Beauty, by Jodi Hauptman
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Review
More than 120 illustrations alternate with concise essays, offering an ideal way… to view these precursors of works by today’s most interesting figurative artists. (Christopher Lyon Bookforum)An exceptionally complex and intriguing exhibition, which makes the best possible use of an array of works seldom seen in one place. Together they constitute a genuine portrait of the artist. (Anka Muhlstein The New York Review of Books)It was his work in monotype that reveals the true extent of his restless experimentation... With this medium, Degas is at his most modern, liberating drawing from tradition, depicting the body in new and daring ways, and boldly engaging the possibilities of abstraction. (James A. Cox Midwest Book Review)Breathtaking... There are visual pleasures here that you will never see anywhere else. (Deborah Solomon WNYC)“A Strange New Beauty†brings a new logic and coherence to Degas’s experimentation... It makes the past feel alive and useful. (Roberta Smith The New York Times)That sense of expanded possibility pervades Degas’s work in monotype, and carries over into other aspects of his art. (Susan Delson The Wall Street Journal)...reveals the inveterate experimentalist behind the tutus. (Andrea K. Scott The New Yorker)In monotype, even his ballet dancers leap into new territory. (The Wall Street Journal)Degas at his most blissfully experimental. (Adam Lehrer Forbes)
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Product details
Hardcover: 224 pages
Publisher: The Museum of Modern Art, New York (March 22, 2016)
Language: English
ISBN-10: 9781633450059
ISBN-13: 978-1633450059
ASIN: 1633450058
Product Dimensions:
10 x 1 x 12 inches
Shipping Weight: 2.2 pounds (View shipping rates and policies)
Average Customer Review:
4.2 out of 5 stars
16 customer reviews
Amazon Best Sellers Rank:
#738,246 in Books (See Top 100 in Books)
The landscapes alone are worth the price. They will blow your mind. It's too bad when the illustrations aren't as generous as they could be. Design and negative space are great things, but I too will complain about the capacious margins. But you know what? You'll be dead before another book is published on the subject.I will note a certain displeasure. In recent years, art books seem to be more about those assembling the pages. As with numerous monographs of late you have to wonder what's more important, the art on display or the essayists involved. About a dozen academics get publishing credits with this book. Which would be okay if there was a central editing post. Instead you get, say, a bunch of words wasted on numerous cursory explanations of Degas' otherwise revolutionary dark-field/light-field monotypes. You hear echos of the same phrasings.But trust me. If you couldn't go to the exhibition, you'll want to study the pages of this book.
The show itself is as wondrous a show as you'll ever see. Please make every effort to see it in NYC or as it travels.Literally every piece is brilliant, radiant, at times unimaginably envisioned. however the book is in insult to the art.As another reviewer stated, the paper is all wrong for works where highlights set everything aglow. Here it's dull and duller.The pieces could have been printed 1 to a page with the doubles across from one another, creating an experience close to the real thing.Instead they wasted 85 pages with ho hum redundant prose that takes up nearly half the book. A beautiful catalogue might have included simply the historical information displayed in the show and loving attention to the reproductions of Degas' art. This book is an insult to his work and the reader.Buy if you must.
Essays good but reproductions of the art very poor
The Degas mono print show at MoMA was fantastic and this book is a great catalog/overview. There's nothing like seeing the real thing but the book is well printed and it's a lot easier to read the history in a book than on the walls of a museum.
Beautiful
Informative writing about Degas' printmaking techniques and experimentations. Images of his work that are rarely seen.
This book is marvelous. The ample illustrations might have looked better on a glossy instead of matte stock.
Well exhibition catalog. I would recommend it to anyone interested in Degasand his monoprints.
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